Abstract:

The present text aims at introducing the meaning and the scope that the notion of musical improvisation may acquire within Nietzsche’s thought - especially in the light of thehis latter writings. It also intends to show that such idea performs a regulatory function within his thought and allows us, at the same time, to shed a bright light on his legacy, serving first and foremost to emphasize its pluralistic and dynamic character.

Keywords:
musical improvisation; conceptual poetry; nature