Abstract

The present article intended to read the book Toda via, (2015) by Michele Santos, in three acts: the first one is the presentation of a collection of poems, which marks the debut of the writer and important cultural agent of the extreme south zone of São Paulo, highlighting the main lines of her writing. Next, we will try to understand her style in dialogue with the issues of peripheral literature. In the last part, an interpretative analysis of the poems will be performed, which was aimed to observe the aesthetic resources used by this poet, to, among other things, reflect on language and its limits, which is intrinsically linked, in the case of Michele Santos, to having the awareness of being a woman in the world from the periphery.

Keywords:
Peripheral literature; poetry; woman; soirée; periphery